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In Translation

Benjamin Young, “In Translation,” Social Sectors catalogue, March 2002.

Never Alone, Except For Now: Art, Networks, Populations

Kris Cohen, “Never Alone, Except For Now: Art, Networks, Populations,” Duke University Press, Durham, North Carolina, 2017.

See you at the barricades

“See you at the barricades”, Macushla Robinson, and Alexandra Gregg. Art Gallery of New South Wales, Sydney, 2015.

Self-Timer Stories

“Self-Timer Stories”, Felecitas Thun-Hohenstein, and Abigail Soloman-Godeau. Vienna, 2015.

Postscript: Writing After Conceptual Art

“Postscript: Writing After Conceptual Art”, Nora Burnett Abrams, Andrea Andersson (eds), Patrick Greaney et al. University of Toronto Press, 2015.

Burning Down the House

“Burning Down the House”, Jessica Morgan (ed.), and Yun Jang-hyeon. Gwangju Biennale, South Korea, 2014.

Performa 11: Staging Ideas

“Performa 11: Staging Ideas”, Roselee Goldberg, Jennifer Piejko, Defne Ayas, Claire Bishop and Boris Groys. Performa, New York, 2014.

Prof. Sharon Hayes Wins Alpert Award in the Arts

“Prof. Sharon Hayes Wins Alpert Award in the Arts,” The Cooper Union, May 2013.

Delirious Anthropology

Claire Bishop, “Delirious Anthropology,” Still Searching Blog, October 2013

In Translation

Benjamin Young, “In Translation,” Social Sectors catalogue, March 2012.

Where the Streets Have No Name: A Democracy of Multiple Public Spheres

Kobena Mercer, “Where the Streets Have No Name: A Democracy of Multiple Public Spheres, This Will Have Been: Art, Love, and Politics in the 1980s (ed. Helen Molesworth), Yale University Press, New Haven, 2012.

Demonstrations: Making Normative Orders

“Demonstrations: Making Normative Orders”, Sabine Witt. Verlag Fur Moderne Kunst, Vienna, 2012.

Playing the City

“Playing the City”, Matthias Ulrich, and Nato Thompson. Steinberg, Berlin, 2012.

Fans of Feminism: Re-writing Histories of Second-wave Feminism in Contemporary Art

Catherine Grant, “Fans of Feminism: Re-writing Histories of Second-wave Feminism in Contemporary Art,” Oxford Art Journal, Vol 34, No 2, June, 2011, 265-286.

What Keeps Mankind Alive?

“What Keeps Mankind Alive?”, What, How, and for Whom (WHM), Istanbul Biennial, 2011.

Speech Matters: The Danish Pavilion at the 54th Venice Biennale

Katerina Gregos and Helga Just Christoffersen, “Speech Matters: The Danish Pavilion at the 54th Venice Biennale,” Mousse, Milan, 2011.

Focus: Sharon Hayes

Sharon Hayes, and Lisa Dorin, Focus: Sharon Hayes, Art Institute of Chicago, 2011.

Time Binds: Queer Temporalities, Queer Histories (Perverse Modernities)

Elizabeth Freeman, “Time Binds: Queer Temporalities, Queer Histories (Perverse Modernities),” Duke University Press, Durham, 2010

As So Ci Attions

“As So Ci Attions”, Tanya Leighton (ed.), Kettle’s Yard, Cambridge, England, 2010.

2010: Whitney Biennial

“2010: Whitney Biennial”, Bonami, Francesco and Gary Carrion-Murayari. Whitney Museum of American Art, New York, and Yale University Press, New Haven, 2010.

Last Ride in a Hot Air Balloon

Conland, Natasha, Doryun Chong and Leonhard Emmerling, “Last Ride in a Hot Air Balloon”, Auckland Triennial, 2010.

Opening a closing Door: Feminist and Queer Artists as Historians

Helena Reckitt, “Opening a closing Door: Feminist and Queer Artists as Historians,” Reading Room, no. 3 (2009): 88-103.

Ecstatic Resistance

“Ecstatic Resistance”, Emily Roysdon. GrandArts, Kansas City, 2009.

Frieze Projects, Frieze Talks 2006-2008

“Frieze Projects, Frieze Talks 2006-2008”, Nevilla Wakefield, Jorg Heiser, Dan Fox and Jennifer Higgie. Frieze, London, 2008.

Time Crevasse

“Time Crevasse”, Tsutomu Mizusawa, Pamela Lee, Tom McCarthy, Omori Shozo, Daniel Birnbaum, Beatrix Ruf, Hans Ulrich Obrist, Hu Fang and Miyake Akiko. Yokohama Triennale, Japan, 2008.

Freeway Balconies

“Freeway Balconies”, Collier Schorr, Dominic Eichler, Sarah Lewis and Nancy Spector. Deutsche Guggenheim, Berlin, 2008.  

Exile of the Imaginary: Politics/Aesthetics/Love

Juli Carson, “Exile of the Imaginary: Politics/Aesthetics/Love,” Exile of the Imaginary: Politics/Aesthetics/Love Vienna: Generali Foundation, 2007.

Documenta 12

“Documenta 12”, Roger M. Burgel and Ruth Noack. Taschen, Cologne, 2007.

Who Cares

“Who Cares”, Anne Pasternak, Doug Ashford, Sharon Hayes et al. Creative Time, New York, 2006.

Ghost of the Public

Shana Luktor, “Ghost of the Public,” X-TRA, Volume 8, Issue 1, 2005.

Publics and Counterpublics

“Publics and Counterpublics”, Michael Warner. Centro Andaluz de Arte Contemporaneo, Sevilla and MIT Press, Cambridge, Massachusetts, 2002.